8 "Anime Fan" Fandoms That Are Letting Many To Trash - S.G. Garibaldi
(Warning: All Caps. Reading Time: Under 2-4 hr)
WHOM THEY ARE PRETENDING IS THEY ARE REALLY JUST A FRAUD. NOT ONLY DO THEY ENJOY INSIDE THE CONVENTIONS, THEY BRING THEIR RECOGNITION ON JAPANESE CULTURE AND THE RECOGNITION WITH AKIBA CULTURE.
THEY INVENT FANBASES, THEY CREATE FANDOMS, THEY EVEN KNOW ANIME AND J-POP, BUT THEIR RECOGNITION ON ANIME AND J-POP IS BECOMING WRONG AND FAKE.
THIS IS JUST A SOCIAL TOXIC THAT LOOKS SWEET.
NOW, THEY REALLY NEED TO BE EXPOSED THEIR INDIVIDUAL GROUP, AND THEY MUST BE EXAMINED.
THEY REALLY NEED TO KNOW THE TRUTH WHETHER WHAT THEY ARE DOING IS RIGHT OR WRONG.
WE KNOW THAT TRUE OTAKU FANS IN THE PHILIPPINES NEED TO KNOW IF ANIME FANS ARE FOLLOWING THE CORRECT RECOGNITION, OR HAVE THEY FALLEN INTO WRONG RECOGNITIONS.
THIS IS NOT JUST AN OPINION, THIS IS AN EXPOSE AGAINST THEIR WRONG DOINGS.
THIS IS FOR YOU, YOUR BROTHER, YOUR FRIEND, TO FIND THE TRUTH.
WE REALLY NEED TO BE WISE, WE REALLY NEED TO BE CONCERNED, WE NEED TO ATTENTION TO THE TRUTH, SO WE CAN SEE THEIR WRONGDOINGS AND AVOID THEM AS SOON AS POSSIBLE.
NOW, WE NEED TO OPEN THE WINDOWS OF THE EIGHT FEDERATIONS THAT THEY ARE CALLING THEMSELVES AS REAL ANIME FANS, BUT THEY ARE ONLY REVERSING THEIR RECOGNITION ON OTAKU CULTURE.
LET'S LOOK AT WHAT THEY ARE SPREADING, CONTRADICT THEIR WRONG DOINGS, AND KNOW THE WHOLE TRUTH BEHIND THEIR ORGANIZATION.
WE ARE NOT DEFENDING THEM, BECAUSE WE KNOW THEIR REAL DOINGS THAT ARE WRONG WITH THEM. AND THE TRUTH SHOULD NOT BE HIDDEN BY ANYONE, SO THAT THEY DO NOT GET INVOLVED IN THEIR FOOLISHNESS.
1. THE PNOY NORMIENOY FANS GROUP OF THE MEGA MANILA AKA NORMIES
FIRST, WE NEED TO KNOW ABOUT THE PNOY NORMIENOY FANS GROUP OF THE MEGA MANILA OR THEY ARE KNOWN AS NORMIES.
YOU SEE THEM AS JUST NORMAL, SIMPLE PEOPLE, MODEST ANIME FANS AMONG THEM.
THEY KNOW AKIBA, THEY KNOW NEW ANIME.
BUT IN THAT PART THEY ARE THE GREAT. BUT FIRST WE NEED TO LOOK AT THE PARTS THEY ARE DOING. BUT THAT PART IS NOT FOR JAPAN CULTURE ANYMORE.
BUT FROM WHAT THEY READ, THEY DOSEN'T REALLY FETCH ANYTHING ON JAPANESE CULTURE.
THE FICTION NOVELS, THE LIFESTYLE MAGAZINES, AND THE NON-JAPANESE SHOWBIZ MAGAZINES. BUT THAT DOESN'T REALLY MAKE THEM KNOW ON JAPANESE CULTURE.
WE KNOW THAT WHEN THEY READ ANYTHING THAT IS NOT FROM JAPANESE POP CULTURE INSTEAD OF THOSE WHO LOVE JAPANESE CULTURE IT'S JUST GARBAGE.
NORMIE FANS JUST DO A DIFFERENT METHOD, THEY JUST DO OTHER OTAKU FANS.
THEIR RECOGNITION OF ANIME IS STILL KIDS CARTOONS AND OLD ANIME.
BUT, EVEN BY DEFENDING TAGALOG DUBS AND SUPPORTING ENGLISH SUBS.
THAT'S REALLY THE WRONG THING THEY ARE DOING, THEY ARE BECOMING LIKE PEOPLE WHO LIVE IN THE WAYS OF LIARS.
THEY EVEN BELIEVE IN DIFFERENT AKIBA CULTURE, THEY BELIEVE THAT ANIME AND CARTOONS ARE THE SAME UNDER THE SAME ROOF. THAT IS REALLY NOT THE CORRECT RECOGNITION FOR THEM ON THE REAL ANIME.
WE KNOW THE TRUTH ABOUT THAT. ANIME AND CARTOONS ARE NOT THE SAME, THEY ARE DIFFERENT.
WE KNOW THAT, CARTOONS AND ANIME ARE DIFFERENT AND THEY ARE NOT THE SAME IN THEIR FACES AND IN THEIR BODIES.
THE VENOM THERE IS MORE STRONG.
THIS IS REALLY WHAT THEY THINK ABOUT OTAKU CULTURE. THAT IS REALLY THE FALSE METHOD THAT CANNOT REALLY MAKE A CORRECT RECOGNITION.
THEY ARE INTENTIONALLY MAKING THE WRONG RECOGNITION OF ANIME AND J-POP, USING NORMAL PEOPLE IN THE PHILIPPINES.
OUR ADVICE ON THIS IS BOLD. IF THEIR GROUP READS NON-JAPANESE CONTENTS, THAT IS WHAT WE SHOULD AVOID. THE INFORMATION ON JAPANESE CULTURE SHOULD BE CORRECT AND NOT WRONG.
IT SHOULD NOT BE WRONG, AND IT SHOULD NOT PUT ANY OTHERS, AND IT SHOULD NOT BE PART ON WHICH IS NOT APPROPRIATE TO THEIR CULTURE.
DO NOT ACCEPT THE WRONG METHOD THAT LEADS TO THE WRONG RECOGNITION OF OTAKU CULTURE.
2. GEN Z'S THE ANTI-AKIBA SQUAD
THAT IS WHAT WE CAN NOTICE IN THEIR FEDERATION, THE GEN Z'S ASSOCIATION WHICH IS ALSO A KNOWN ANTI-AKIBA SQUAD.
JUST LIKE THE NORMIES, THEY ARE ALSO THE SAME AS NORMAL, THEY HAVE A GOOD RECOGNITION OF ANIME, AND THEY DON'T SEEK INFORMATION ABOUT JAPAN. BUT THEY HAVE A DIFFERENT RECOGNITION OF JAPAN POP CULTURE.
AND A DIFFERENT RECOGNITION OF THE FAMOUSNESS OF JAPANESE CULTURE.
THE DAMAGE THAT GEN Z'S BRING IS THEIR COMPLETE REJECTION OF THE FAMOUSNESS OF AKIBA CULTURE.
BECAUSE THEIR RECOGNITION ON ANIME AND CARTOONS IS THE SAME.
BECAUSE ANIME CAME FROM THE ELEMENTS OF WESTERN CARTOONS, THEY JUST BORROWED FROM THE SETTLED WESTERNERS OR COLONIZERS IN JAPAN AT THE TIME.
THIS IS A FATAL DAMAGE, IF ANIME AND CARTOONS WERE THE SAME, ALMOST THOSE WHO RECOGNIZED THESE TWO ARE THE SAME IT WOULD ONLY CONFUSE THEM RIGHT.
JUST BORROWING FROM OTHER COUNTRIES DOES NOT REALLY COME FROM THEIR WORK.
THE ELEMENTS OF ANIME CAME FROM THE INFLUENCE AND TECHNOLOGY OF WESTERN PEOPLE WHO SETTLED IN JAPAN.
THEY DENY THE POPULARITY OF OTAKU CULTURE, BECAUSE THAT IS BECOMING THEIR VIEW OF THE PAST AS IF IT WAS EATEN BY TERMITES.
THEY DENY J-POP.
WE KNOW THE ELEMENT OF MERGER OF ANIME AND J-POP INTO ONE CULTURE.
TO PROVE THEIR WRONG IDENTITY, THEY READ NON-JAPANESE INFOS, THE WESTERN FICTION NOVELS.
JUST SO THEY READ THINGS THAT ARE NOT REAL MANGA.
BUT THAT'S WHAT THEY DO, BECAUSE THAT'S THEIR ONLY INFORMATION, BUT THEIR INFORMATION IS ALL THE PROMOTION OF THE WEST.
THEIR PROMOTION SEEMS TO BE DAMAGED.
THEY EVEN PROMOTE THE HUMOUR OF THOSE IN THE WEST.
BECAUSE THEIR BEING ANIME FAN IS JUST DEPENDENT ON BEING ANTI-AKIBA SQUAD.
AND THEY PRESENTING ANIME FACE-TO-FACE.
THIS IS WHAT THEY ARE DOING IS MEANINGLESS.
THAT ITSELF IS JUST A METHOD OF THE WEST AND NOT FROM JAPAN.
WE KNOW THAT THE CORRECT RECOGNITION SHOULD NOT ALWAYS DEPEND ON THOSE WHO ARE NOT FROM THE JAPANESE AND THAT IS WHAT WE SHOULD AVOID, SO THAT PEOPLE DO NOT MAKE THE MISTAKE IN THEIR RECOGNITION WITH THEM.
THE ADVICE IS THE TRUTH IS THAT THEY SHOULD KNOW THE CORRECT RECOGNITION OF JAPANESE POP CULTURE.
IT IS NECESSARY TO KNOW AKIBA CULTURE, NOT THEIR BELIEVE THAT ANIME IS JUST BORROWED FROM THE WEST, BUT THAT IS JUST AN INFLUENCE SPREAD BY WESTERN PEOPLE WHO LIVED IN JAPAN AT THE TIME.
THAT IS THE HISTORY OF THE DEVELOPMENT OF ANIME THAT WAS MADE BY THE JAPANESE AT THE TIME.
THE ANIME THEY HAVE MADE IN THE PAST UNTIL NOW IS EVEN BETTER.
REMOVE GROUPS THAT MISRECOGNIZE ANIME.
3. OTOME FANATICS
THE THIRD FANS THAT NEEDS TO BE EXAMINED ARE OTOME FANATICS.
THIS GROUP IS TOXIC, BECAUSE THEY ONLY KNOW OF SHOUJO ANIME WITH ALL MALE ANIME CHARACTERS.
THIS KIND OF FANATIC IS ONLY CREATED BY FILIPINO WOMEN WHO ARE INTO THE OTOME GENRE. THEIR JOB IS TO REMOVE THE POPULAR BEAUTIFUL FEMALE ANIME CHARACTERS THAT WE WANT.
OTOME FANATICS USUALLY PORTRAY A SINGLE FEMALE ANIME CHARACTER IN SHOUJO OR THE OTOME GENRE. THEY AVOID BISHOUJO, ECCHI, HAREM, AND EVEN YURI, AND FEMALE VTUBERS.
THEY EVEN HATE FEMALE ANIME CHARACTERS.
LET'S THINK ABOUT HOW VENOMOUS THEY ARE.
JAPAN IS THE ONLY PLACE THEY PROMOTE THROUGH FEMALE ANIME CHARACTERS.
THE POPULARITY OF NEW ANIME WITH THE HELP OF FEMALE ANIME CHARACTERS.
AND THE POPULARITY OF THEIR CULTURE WITH THE HELP OF FEMALE ANIME CHARACTERS.
IF THE CULTURE THEY PROMOTE WAS ONLY MALE ANIME CHARACTERS, AKIBA CULTURE WOULD NOT REALLY POPULAR, BECAUSE THEY ARE IMITATING IKEBUKURO CULTURE.
THE WHOLE CORRECT METHOD IS BEING DEFEATED BY FAKE OTAKU FANS LIKE THIS GROUP.
OTOME FANATICS JUST THEMSELVES RECOGNIZES THE DIFFERENT AKIBA.
IT IS NOT THEIR HOME OF THEIR FAVORITE ANIME THAT THEY WANT, IT IS OTHER HOMES THAT ONLY WANT MALE ANIME CHARACTERS OR THEY ONLY WANT TO SOLO ALL THE MALE ANIME CHARACTERS.
THEIR RECOGNITION IN JAPAN IS ONLY FOR ONE PURPOSE, THAT IS THE FILIPINO WOMEN WHO LIKE PURE MEN, WHAT THEY ARE LOOKING FOR IS SHOUJO MANGA WHERE THERE IS THE OTOME GENRE THAT IS PURE MEN.
THE MANGA THAT THEY MAKE FILIPINO WOMEN FEEL, THAT IS THE ONLY ONE THEY WILL FOLLOW. BUT, THAT IS WHERE THEY LET THEMSELVES GETTING WRONG IN THEIR RECOGNITION ON ANIME.
IF THEY JUST WANT TO PROMOTE THEIR GROUP TO FILIPINO WOMEN OR TO YOUNG WOMEN IN THE PHILIPPINES. THEY THEMSELVES FALL INTO WRONG RECOGNITION.
WE PROBABLY KNOW WHAT'S WRONG WITH THEIR GROUP AS WE KNOW THAT:
MANY PEOPLE IDENTIFY THEIR FALSE ANIME, BUT, THEY THEMSELVES ARE THE ONES WHO MAKE WRONG RECOGNITIONS ON ANIME, JUST TO FORCE WHAT DOESN'T MATTER IN THE REAL AND CORRECT RECOGNITION ON ANIME.
OTOME FANATICS WANTED TO MAKE FEEL AND SIMULATE THEMSELVES IN THE SINGLE FEMALE CHARACTER IN THE OTOME GENRE.
THE FEMALE ANIME CHARACTER THAT MALE ANIME CHARACTERS WANT TO BE CLOSE TO, BUT THEY DON'T WANT TO BE CLOSE TO POPULAR FEMALE ANIME CHARACTERS IN THE NON-OTOME GENRE.
THEY ARE MISOGYNISTIC, BECAUSE THEY LIKE TO FEEL LIKE PRINCESSES.
AND BEING ADULTEROUS TO MALE ANIME CHARACTERS.
THIS ADVICE IS NECESSARY. FILIPINOS REALLY NEED TO BE CLOSE TO FEMALE ANIME CHARACTERS. WE KNOW THAT FILIPINOS ARE NOT WEAK TO FEMALE ANIME CHARACTERS.
THE FANDOM OF FILIPINO WOMEN IS NOT THAT STRONG, BECAUSE THEY ARE ONLY A MINORITY IN ANIME/J-POP FANDOM.
ONLY FEMALE ANIME CHARACTERS ARE STRONGER THAN THE MALE ANIME CHARACTERS THAT FILIPINOS FAVORITE. THERE IS NO OTHER WAY AND THERE IS NO OTHER EXCUSE FOR FILIPINOS.
4. OTOME JOSEIMUKE
IN THIS FOURTH GROUP, WE WILL ANALYZE, IS JUST ONE OF THE DIFFERENT GROUPS THAT FILIPINO WOMEN BELONG TO. THE OTOME JOSEIMUKE.
ANIME FANS ARE OFTEN KNOWN TO BE THE SAME FANATICS THAT YOUNG ADULT WOMEN AND ADULT WOMEN BELONG TO AS THEIR TARGET AUDIENCE.
HOWEVER, WHAT THEY DO IT IS NOT REALLY IN FIT ON THE RECOGNITION ON ANIME AND J-POP.
THE IKEMENISM ON THEIR GROUP IS REALLY REACHES THE FEELINGS OF FILIPINO WOMEN, BUT THEY JUST AVOID FEMALE ANIME CHARACTERS.
THEY ONLY KNOW ANIME THAT IS PURELY MALE ANIME CHARACTERS IN THE OTOME GENRE, SHOUJO GENRE, AND THE BL GENRE THAT THEY FOLLOW IN ANIME.
THE IKEMENISM IN THEIR GROUP IS JUST SO THAT THEY CAN GET AWAY FROM THE POPULAR FEMALE ANIME CHARACTERS, JUST SO THAT THEY CAN HAVE SAFE SPACES IN BEING ANIME FANS OF FILIPINO WOMEN.
BECAUSE THEY WANT ALL THE MALE OTAKUS FANS IN THE PHILIPPINES TO BE LOSE ON THEIR PATHWAYS.
WHEN THEY ARE MIXED BY OTHER FANBASES OF FILIPINO WOMEN, THEY EVEN CREATE A GROUP THAT IS AGAINST FEMALE ANIME CHARACTERS.
AND THEY ARE AGAINST THE PROPER RECOGNITION OF THE POPULARITY OF AKIBA CULTURE.
THEY ONLY KNOW ANIME THAT HAS ONLY MALE ANIME CHARACTERS. BUT THE ONLY WAY THEY KNOW FEMALE ANIME CHARACTER IS ONE, THAT IS THEIR BEING SINGLE LIKE A SINGLE FEMALE ANIME CHARACTER.
THERE IS ONLY ONE FEMALE ANIME CHARACTER WHO IS READY TO BE ATTRACTED BY MALE ANIME CHARACTERS, AND TO MAKE THEMSELVES TO HAVE PLEASURE WITH MALE ANIME CHARACTERS.
THEY EVEN DON'T LIKE ANIME AND MANGA THAT HAS ONLY ALL FEMALE ANIME CHARACTERS. BUT THEIR ANIME AND MANGA ARE THE SHOUJO GENRE OF OTOME, JOSEI, AND BL CONTENT.
THAT'S THE ONLY WAY FOR FILIPINO WOMEN TO BECOME ANIME FANS IN SUCH GENRES.
THEY ARE BEING MISOGYNISTIC AGAINST POPULAR FEMALE ANIME CHARACTERS IN ANIME AND MANGA.
HOWEVER, THEY ARE JUST PROMOTING THAT TO FILIPINO WOMEN AND FILIPINO WOMEN WHO ARE NOT ANIME FANS, WHICH IS A THEME THAT IS JUST FOR THEIR FEMINISM.
THEY ARE NOT REALLY ANIME FANS WHO ARE TRUE TO THEIR RECOGNITION, BUT THEY ARE LIKE FAKE OTAKU FANS WHO RECOGNIZE THEMSELVES WITH MALE ANIME CHARACTERS.
THEY CREATED THEIR OWN OTAKU FANDOM OF FILIPINO WOMEN AND FILIPINO WOMEN WHO ARE NOT YET IN ANIME/J-POP FANDOM.
THEY REMOVED THEIR RECOGNITION FROM POPULAR FEMALE ANIME CHARACTERS, FROM THE BEAUTY, SEXINESS, AND CUTE FEMALE ANIME CHARACTERS, AND FROM THEIR RECOGNITION FROM THE POPULARITY OF AKIBA CULTURE.
SO ONLY AKIBA CULTURE CAN MAKE POPULARITY THROUGH FEMALE ANIME CHARACTERS.
WE KNOW THAT, MALE ANIME CHARACTERS CANNOT REALLY BE ABLE TO BECOME POPULAR AMONG THE FILIPINO PEOPLE, BECAUSE ONLY FEMALE ANIME CHARACTERS ARE STRONGER AND MORE POPULAR THAN MALE ANIME CHARACTERS.
OTOME JOSEIMUKE IS ONLY MALE ANIME CHARACTERS THAT MAKES THEM STRONGER AND MORE POPULAR.
AKIBA IS ONLY FEMALE ANIME CHARACTERS THAT MAKES STRONGER AND MORE POPULAR.
JUST CHOOSE THE POPULARITY OF FEMALE ANIME CHARACTERS.
THE ADVICE IS SHARP. MALE ANIME CHARACTERS ARE NOT REALLY EMPOWERING FILIPINO WOMEN.
ONLY FEMALE ANIME CHARACTERS ARE REALLY.
ANY FANBASE THAT REJECTS AKIBA CULTURE, AND THE POPULARITY OF JAPAN POP CULTURE, ARE NOT TRUE ANIME FANS, BUT THEY JUST FALL INTO THE WRONG, AND EVEN INTO SOCIAL GRAVEYARDS.
5. THE ULTRA CONSERVATIVE GROUP
THE FIFTH THING WE WILL DISCUSS ABOUT THIS GROUP IS THAT THIS IS NOT JUST A GENERIC ANIME FANDOM IN THE PHILIPPINES, BUT THIS GROUP IS IN OPPOSITE ON FANBASES THAT ARE RECOGNIZING THE MATURE CONTENT.
THE ULTRA CONSERVATIVES.
WE NOTICE THE CONCERN OF PARENTS OR FAMILIES OR WOMEN IN THE PHILIPPINES, THEY ARE NOT MATURE, MODEST AND PURITY, AND THEY ARE ATTRACTED IN CHILDREN'S AND FAMILY SHOWS.
BUT THEY DO GOOD WORK. BUT WHAT THEY JUST WANT TO SEE IN ANIME FANS IS THAT THEY ARE CHILD-FRIENDLY, FAMILY-FRIENDLY, WOMEN-FRIENDLY, AND THAT THE ANIME FANDOM IS PARENT, CHURCH, OR TEACHER APPROVED.
SO WHAT ON IN THEIR GROUP IS FOLLOWING IS THE CONTEMPORARY FILIPINO VALUES THAT THEY WANT TO INHERIT IN YOUNG FILIPINOS, ESPECIALLY FILIPINO WOMEN, JUST TO LIVE NORMAL AND BE LOWER IN THEMSELVES.
THIS IS CALLED YELLOW FAITH, WHERE YOUR FAITH MUST FOLLOW YOUR NORMAL LIFE, AND YOU WILL BE LIKE MANY FILIPINOS WHO ARE INCLUDED IN THEIR YELLOW FAITH.
THIS IS JUST A PRIMITIVE METHOD THEY ARE DOING. THEY MADE THEMSELVES LIVING IN THE STONE AGE, AND THE CUSTOMS ARE STILL JURASSIC AGED.
THEY ARE VERY CONSERVATIVE, WHICH THEY ARE NOT IN THE NEW GENERATION, DENYING THE POPULARITY OF NEW ANIME, OF FEMALE ANIME CHARACTERS, OF THE MATURITY OF OTAKU FANS AND THE POPULARITY OF AKIBA CULTURE.
WE KNOW THAT AKIBA IS NOT SIMPLE, BECAUSE, ONLY WEAK CREATIONS ARE NOT AWARE OF THAT CULTURE. THAT PLACE IS NOT IMMATURE, BECAUSE THEIR CULTURE IS FULLY MATURE.
THE ULTRA CONSERVATIVE IS WHY THEY RECOGNIZE THE ANIME WAS SHOULD ONLY BE MALE ANIME CHARACTERS AND THERE IS NO SECOND OR OTHER GENDER.
THEY ARE BECOMING MISOGYNISTIC, BECAUSE THEY HATE FEMALE ANIME CHARACTERS.
THEY DON'T LIKE ANIME WITH SEXY, BEAUTIFUL AND CUTE FEMALE ANIME CHARACTERS.
THEY ALMOST WANT TO BE CLOSE TO MALE ANIME CHARACTERS, AND TO THE GAYNESS OF MALE ANIME CHARACTERS. SO WHAT HAPPENS IS THAT FILIPINO MEN JUST GO HOME IN THEIR DISAPPOINTMENT.
THE RIGHT METHOD IS NOT ALWAYS TO STAY CONSERVATIVE, BUT MUST BE FULLY MATURE IN THE POPULARITY OF NEW ANIME, WHICH THEY SHOULD SEE FEMALE ANIME CHARACTERS.
SO ONLY FEMALE ANIME CHARACTERS ARE APPROPRIATE FOR FILIPINO MALE OTAKU FANS.
EVEN IF THEY ARE PERSECUTED, BELITTLED, TEASED, INSULTED, AND FOOLED BY THOSE WHO DON'T KNOW AND ARE NOT FAMILIAR WITH NEW ANIME WITH ALL-FEMALE ANIME CHARACTERS.
THE MISTAKE MADE BY THE ULTRA CONSERVATIVES, THEIR WORK BECAME USELESS.
THE ADVICE IS JUST LIKE THIS. JUST AVOID JOINING GROUPS THAT ONLY PRIORITIZE THE WELL-BEING OF CHILDREN, WOMEN, AND FAMILIES, RATHER THAN THE VALUE OF THE MATURITY OF FILIPINOS IN ANIME AND J-POP.
THE METHOD SHOULD ONLY BE FAMILIAR WITH FAMOUS AND NOT FAMOUS NEW ANIME WITH FEMALE ANIME CHARACTERS, RATHER THAN ONLY MALE ANIME CHARACTERS. NEW ANIME AND NOT ALWAYS ON CHILDREN'S AND FAMILY SHOW.
6. THE NEW OLD ANIME
SIXTH, WE NEED TO EXPOSE THIS INCREASING AND VENOMOUS GROUP IN THE PHILIPPINES, THIS GROUP OF THE NEW OLD ANIME OR NOA.
THIS GROUP IS THE NEW PEOPLE OR NEW GENERATION IN THE PHILIPPINES WHO WANT TO RETURN TO KNOWING THE OLD ANIME THAT MILLENNIALS AND GEN Z LOVED.
THE NEW PEOPLE IN THE PHILIPPINES ARE TRYING TO WATCH AND FOLLOW OLD ANIME ON MAINSTREAM MEDIA OVER AND OVER.
THEY ALWAYS REPLAY ON WHAT THEY WANT, THEY ALWAYS RERUNS ON WHAT THEY WANT, AND ALWAYS REPEATED WITHOUT END ON WATCHING OLD ANIME.
THIS DIRECTLY TRAPS THE NEW PEOPLE INTO ADDICTION TO NOSTALGIA.
THEY ALLOW THEM TO FOCUS ON OLD ANIME, EVEN IF THEY ARE NOT REALLY NEW NOW.
WE KNOW THAT WHAT THEY ARE WATCHING IS NOT REALLY NEW. WE KNOW THAT:
THE NEW PEOPLE WHO ARE INTENTIONALLY TRYING TO RETURN TO THE PAST, BUT EVEN NOW IT IS DIFFERENT, CANNOT REALLY ACHIEVE SUCH A JOB, BECAUSE THEY ARE ENSLAVED TO OLD PHILIPPINE SHOWS.
EVEN THE NEW PEOPLE IN THE PHILIPPINES WHO SHOULD BE ABLE TO WATCH NEW ANIME NOW, NOA IS REALLY BACKWARDS.
THIS GROUP OF THEM IS JUST ABOUT RETURNING TO THE OLD, THE OUT OF STYLE, AND THE DEAD THING THAT IS LONG OVER.
THEY EVEN PASS THE OLD SHOWS ON THEIR FRIENDS SO THAT ARE NO LONGER TRENDY IN THE CURRENT TIMES, THEY EVEN PASS ON THE OLD TO OTHER PEOPLE, JUST TO ERASE THE NEW ONES AND LIVE IN THE OLD TIMES.
THEY ALWAYS FOCUSED ON OLD ANIME THAT ONLY FOCUS ON ALL MALE ANIME CHARACTERS.
SOMETIMES OLD ANIME THAT WAS INVOLVED DURING THE MARTIAL LAW PERIOD IN THE 70'S. ANIME FROM THE EDSA REVOLUTION PERIOD, AND IT'S A STRONG THROWBACK.
THEIR RECOGNITION ON ANIME IS REVERSED, SO THEY DON'T KNOW ABOUT AKIBA CULTURE.
WE KNOW FROM AKIBA CULTURE, OLD ANIME THAT HAS BEEN POPULAR FOR A LONG TIME ARE BEING REPLACED BY NEW ONES. THERE IS NO NEED TO FLAG OLD ANIME, BECAUSE THEY HAVE BEEN REPLACED BY NEW ANIME NOW.
THE VENOM HERE IS THE FILIPINO NEWCOMERS WHO INTENTIONALLY RETURN TO OLD ANIME THAT ARE OVER AND HAVE ENDED LONG AGO, THEY ARE NO LONGER IN OUR TIME NOW THE OLD SHOWS THAT WERE FOR YOUNG FILIPINOS.
AND THE END OF OLD ANIME THAT HAVE NOT BEEN MADE A NEW VERSION.
THE NEWCOMERS THEMSELVES ONLY FALL INTO WRONG RECOGNITION.
THE ADVICE FOR NEWCOMERS OR NEW FILIPINOS IS TO GET TO KNOW NEW ANIME, BECAUSE THAT IS THE ONLY THING THAT CAN REALLY MAKE YOUNG FILIPINOS POPULAR TODAY.
OTAKUS FANS THEY WILL NOT ALWAYS RETURN TO OLD ANIME. BECAUSE, WHEN THE NEW ANIME WERE POPULARIZED IN JAPAN AND THEY MAKING TREND ON NEW ANIME IN OTHER COUNTRIES, THE FILIPINOS WILL ALWAYS FOLLOW THAT.
ALWAYS KNOW WHETHER WHAT THEY SAY IS NEW ANIME IS REALLY NEW OR NOT.
7. PNOY KPOP STANS OR THE PNOY KOREABOO FANS
THE SEVENTH FEDERATION THAT WE NEED TO EXPOSE IS THEIR WRONG WORKS THAT THEY ARE DOING.
BECAUSE OF THE GROUP PNOY KPOP STANS WHICH IS ALSO AN ELITE KPOP FANS IN THE PHILIPPINES OR WHAT WE CALL PNOY KOREABOO FANS.
THIS IS A TYPE OF FEDERATION MADE BY KPOP FANS IN THE PHILIPPINES, IN THE GROUP OF BOYS OVER FLOWERS FANS GROUP IN 2009.
THUS THEREFORE, THE FILIPINO WOMEN WHO JOINED THAT GROUP HAVE INCREASED IN EVERY CORNER OF THE PHILIPPINES, INCLUDING THE NCR.
BUT THEIR WORKS ARE ALMOST POISONOUS WHICH IS DESTROYING THE POPULARITY OF ANIME AND J-POP IN THE PHILIPPINES.
FIRST, THEY DON'T SUPPORT AKIBA CULTURE AND OTAKU CULTURE. JUST LIKE GEN Z'S AND OTHERS, THEY ALSO HAVE THEY RECOGNIZE THE ANIME AND CARTOONS AS SAME.
BUT THEY VIEW ANIME TOO MUCH LOWER IN THEIR EYES THAN THE CARTOONS THEY SUPPORT.
WHAT THEY ARE DOING IS THEY ARE EVEN RECOGNIZING FAKE ANIME OUTSIDE THE ANIME/J-POP FANDOM IN THE PHILIPPINES.
SECOND, THEY ARE EVEN GOOD IN RECOGNIZING THE ANIME THAT HAS ALL MALE ANIME CHARACTERS AND THE OLD ANIME THAT FILIPINOS LOVED IN THE OLD AGE.
THEY WANTED TO MAKE THEIR ALLIES OR THEIR GROUP FEEL THE CHOSEN ANIME WITH ALL-MALE ANIME CHARACTERS THAT ARE ONLY SUPPORTED AND APPROVED BY PNOY KPOP STANS.
BECAUSE THEIR FRIENDS IN KPOP FANS AND THOSE WHO JOIN KPOP ARE THE REAL ANIME FANS IN THE ANIME THEY ENJOY IN SUPPORTING ALL-MALE ANIME CHARACTERS.
THE THIRD THING THEY DO IS CHANTING PEOPLE THEY CONTROL, SO THEY CAN COMMAND OVER NON-KPOP FANS AND FILIPINOS WHO ARE NOT YET PART OF THE ANIME/J-POP FANDOM.
THAT'S WHY KOREABOO FEMALES IN THE PHILIPPINES HAVE GETTING HIGH IN THEMSELVES, BECAUSE THEY ARE THE ONES WHO COMMANDS NON-ANIME FANS TO SUPPORT THOSE WHICH OTAKU FANS DON'T LIKE.
ALMOST ALL FILIPINOS WILL FOLLOW THEM IN ENJOYING KPOP CULTURE AND THE OTHER CULTURES THEY SUPPORT AND EVEN THE INVENTED CULTURES OF THE FILIPINOS.
THIS IS A KIND OF FANATIC GROUP THAT LIVES IN THE BEHAVIOR OF FALSE OTAKUS.
THAT'S WHY THEY BECOME QUEENS OF COMMANDING THOSE WHO DON'T KNOW THAT THE POP CULTURE OF THE ELITE GROUP DOES NOT DESERVE THEM.
AND THEY ESTABLISH A FEDERATION THAT THEY ARE THE ONLY REAL ANIME FANS IN THE PHILIPPINES.
THESE ARE A KIND OF FAKE OTAKU FANS WHO LIKE TO COMMAND OTHER PEOPLE OR GROUPS.
THEIR GROUPS OFTEN NEED TO SPREAD THEIR ORDER TO THE PHILIPPINES, SUCH AS VOTING FOR THE YELLOW AND LEFTIST OPPOSITIONS.
WE KNOW THAT, NO GROUP CAN COMMAND THE FILIPINOS. THE DECISION OF A PERSON OR A GROUP SHOULD BE THE ONLY ONE THAT IS NOT COMMANDED BY THEIR RANKS OF THE OTHER GROUPS.
PNOY KPOP STANS ARE PARTNERING WITH OTHER FANBASES. THE FANBASE FEDERATION AND THEIR ASSOCIATION, THEY JUST WANT TO INCREASE THEIR ORDER.
THE ADVICE IS CLEAR. BEWARE OF SUCH GROUPS THAT CLAIM THAT THEY ARE THE ONLY REAL ANIME FANS OR REAL OTAKU FANS IN THE PHILIPPINES.
THE REAL AND TRUE ANIME FANS OR OTAKU FANS IN THE PHILIPPINES ARE THOSE WHO REALLY KNOW ABOUT ANIME, J-POP, AKIBA, AND JAPAN POP CULTURE, AT A TIME WHEN MANY FANDOMS HAVE EMERGED IN THE PHILIPPINES.
AND THE CENTER OF RECOGNITION ABOUT ON ANIME AND J-POP IS NO ELSE, BUT THE OTAKU-AKIBA/JAPAN POP CULTURE, AND NOT THE FEMALE FILIPINO KOREABOOS WHO ARE INTO THE KOREAN POP CULTURE.
8. THE UNIONIST FANS OR THE COMMUNISTS
FINALLY, WE WILL NOTICE THIS GROUP OF THE UNIONIST FANS, THEY CALL THIS GROUP OF COMMUNISTS.
IT WAS STARTED BY A FILIPINO ARTIST AND VOLTES FIVE FAN, TOYM IMAO DE LEON.
THIS FEDERATION IS JUST AN EXAMPLE OF THEIR INTELLIGENCE, TO USE ANIME FOR PEACEFUL OR VIOLENT STRUGGLE.
WHAT THE UNIONIST FANS THEMSELVES TEACH IS THAT AKIBA CULTURE AND ANIME FANDOM SHOULD BE MIXED WITH ACTIVISM.
THEY WANTED TO INCLUDE AKIBA CULTURE WITH IDEOLOGY OF COMMUNISM AND YOUTH ACTIVISM.
THEY WANTED TO USE, TO USE ANIME AND AKIBA CULTURE AS THEIR WAY OF OPPOSING THE PHILIPPINE GOVERNMENT. SO THEY CAN SHOW THAT ANIME CHARACTERS ARE ANGERED AT THE PHILIPPINE GOVERNMENT.
THIS LOOKS LIKE GLORIFYING COMMUNISM. WE KNOW THAT JOINING ANIME/J-POP FANDOM IS NOT A STUDY IN JOINING LEFTIST GROUPS, BECAUSE THEY WILL NOT BENEFIT ANYONE OR MORE FROM IT.
ANIME AND J-POP OR AKIBA CULTURE ARE PEACEFUL AND HAPPY.
THE UNIONIST FANS OFTEN TEACH ANIME FANS TO JOIN COSPLAY PROTESTS, JUST SO THE PUBLIC CAN SEE THAT COSPLAYERS ARE ANGERED AT THE PHILIPPINE GOVERNMENT.
WHY DO THEY INVOLVE COSPLAY INTO THE LEFT-RIGHT PROTEST MOVEMENT OF MILITANT GROUPS?
BECAUSE OF THE INFLUENCE CREATED BY TOYM IMAO DE LEON. TOYM AND THE VOLTES FIVE ARE THE REASON FOR THE EXISTENCE OF PROTESTORS ANIME FANS IN THE PHILIPPINES.
WHAT THEY READ IS NOT INFORMATION TO GET TO KNOW JAPANESE POP CULTURE, BUT THE BOOK OF COMMUNISM, WHICH IS THE SAME THAT THEY ARE TAUGHT IN THEIR UNIVERSITY CLASSES OR IN PRESTIGIOUS SCHOOLS IN THE PHILIPPINES.
THEY BECOME HEROES BY JOINING MILITANT GROUPS, JUST SO THAT THEY CAN GET A GRADES IN THEIR ACTIVISM CLASSES.
THAT IS WHERE TOYM'S INFLUENCE SPREAD AMONG YOUNG FILIPINO ANIME FANS.
THIS IS JUST A SYSTEM OF MANIPULATION. THESE ARE NOT SENSITIVE ANIME FANS. THESE ARE JUST A FAKE OTAKU FANS WHO HAVE TARNISHED AKIBA CULTURE BY THE EXECUTOR, UNDER THE INFLUENCE OF TOYM IMAO DE LEON.
THAT GROUP IS WRONG, BECAUSE WE KNOW THEY ARE NOT REAL ANIME FANS.
THEY ARE THE ONES WHO ARE MAKING MISRECOGNITIONS, AS A REASON TO INCLUDE AKIBA CULTURE WITH THE LEGAL FRONT GROUPS.
THEIR LEADER IS JUST A FAKE ANIME FAN. THEY ARE JUST POISONING OTAKU AND AKIBA CULTURE.
EVEN IF THEY INCLUDE ANIME CHARACTERS, EVEN IF THEY COSPLAY ANIME CHARACTERS IN LEFTIST GROUPS, THEY ARE JUST ONE OF THE FAKE ANIME FANS.
THIS ADVICE IS A DETOXIFICATION. DO NOT JOIN A GROUP THAT CAUSES TROUBLE IN THE PHILIPPINES OR A GROUP THAT HAS THEIR METHODS WRONG. THE METHOD ITSELF OF AKIBA CULTURE IS PEACEFUL.
THEIR POP CULTURE IS FUN, THEIR SPREAD IS IDEOLOGY-FREE. THEY DON'T NEED TO JOIN THE PROTESTORS IN THE PHILIPPINES. WE SHOULD NOT LISTEN TO THEIR GROUP.
EVEN IF YOU SIDE WITH THEM, YOU WILL ONLY BE DISAPPOINTED BY WHAT THEIR GROUP IS DOING. THEY ARE JUST MISCHIEVING YOU.
WE CANNOT BENEFIT FROM THEIR GROUP'S SOCIAL OF GRUDGE.
THE PRIVILEGE IS NOT REALLY GIVEN TO AN INDIVIDUAL GROUP LIKE THEM.
YOU HAVE BEEN GIVEN THE PRIVILEGE TO BECOME AN ARMY OF OTAKU FANS IN THE PHILIPPINES, THE PROOF IS ALWAYS TUCKED IN.
TO FIGHT THE WRONG METHOD AND TO REJECT THE FALSE RECOGNITION IN ANIME AND J-POP CULTURE.
TO BE SURE, YOU NEED TO TRIPLE CHECK YOUR RECOGNITION IN ANIME AND J-POP CULTURE.
DO YOU TRUST REAL OTAKU FANS WHO ARE GREAT AKIBA ENTHUSIASTS, OR DO YOU LET OTHERS INTERFERE WITH YOU JUST FOR THEIR WANTS WHICH WE DON'T WANT?
REMOVE THE MISRECOGNITION OF OTAKU-AKIBA/JAPAN POP CULTURE, WHICH IS HARMING THE POPULARITY OF AKIBA ENTHUSIASTS IN THE PHILIPPINES.
YOU NEED TO BE CLEAN SOCIAL, FOR YOUR MIND AND FEELINGS ABOUT ANIME AND J-POP IN THE PHILIPPINES.
SECOND, YOU NEED TO START WITH REAL OTAKU FANS, AS THE BEGINNING OF YOUR JOURNEY THAT YOU WILL DO. YOU SHOULD NOT BE INSTALLED BY MISRECOGNITION.